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Showing posts with label John Donne. Show all posts
Showing posts with label John Donne. Show all posts

Tuesday, 1 January 2019

SENDING BOOKCASES TO LIVE AT A NICE FARM IN THE COUNTRY: A REPORT FROM A FUGITIVE.


They gambol in the fields, those bookcases. The nice farmer sends picture postcards. I’m kept informed. It’s all rather lovely.
   I didn’t dismantle the bookcases in my torture dungeon. Honest.

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A lie was told there, surely.
   The bookcases truly had to go. I tried keeping them together using all sorts of fiendish tricks. No, I don’t mean keeping them together as a family of three. I mean maintaining structural integrity, uprightness, and holdabookability.
   Borrowing from Comden and Green, the party’s over. The fundamental flaw in bookcase design killed them off in the end. Those bookcases weren’t designed to be moved around once constructed.
   A shift here, a relocation there, a move to the back of beyond and back again…and again and again, over and over again – again – only more so…
   The whirling storm of office updates down the years exacted the ultimate cost. Ask not for whom the bookcase creaks. It creaks for thee.

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Rest in Pieces, Awkward Bookcases…we hardly knew ye. They are dead – most sincerely so. Oh, I suppose I could resurrect them from the imaginary ashes. I didn’t burn the awkward cases.
   Instead, pulling nails and pretending they were teeth, I dismantled, unscrewed, removed, and cancelled…
   The cracks showed. Revealing the naked underbelly of the bookcases, I discovered the situation was a little shakier than I thought when I shoogled a bookcase here and tested stability there.
   But this isn’t the story of bookcases long-past their best.

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It is, inevitably, the tale of space vacated. This is the story of floorspace uncovered. It is the saga of finding replacement shelves for books dumped unceremoniously on the carpet.
   The dead bookcases…
   Whoops. No. They live on, in spirit, frolicking in the farmer’s fields…
   The belly-up bookcases live on, in the loft, lying there in bits. I could have them refitted at a small cost. Project for another era.
   Those deceased bookcases were half-size, located under the windows. They just coasted into place and no more. Perfect size. Ideal height. But move them, well…
   Never move them.
   You learn freely with ease and you learn the hard way to your cost. Both forms of learning are, sadly, valid.

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I moved swiftly. Other half-sized bookshelves were all over the place, curling around each other for warmth. Out came the tape. Down went the figures. Scribble scribble, scratch, shaky diagram, miscalculation, measure twice and measure some more…
   The casualty in liberating floorspace is the imprisonment of wallspace. I killed three half-sized bookcases at the window, and more half-sized units, bookcases, and strange items rushed in to secure the territory.
   And that liberated a few sections of wall elsewhere…if I took pictures down. Down they came. I now have four full-sized bookcases where half-sized articles lurked before.

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Once more, I elude the danger of saturation. You reach the point of no return all over again, and tread beyond the natural limit of things for a short time. It’s a dangerous pirouette.
   This year, clearing bookshelves takes on a different meaning. Usually, clearing a bookshelf means finishing the last of the unread books on that shelf. But I’ve been all over the place with storage. Looking around the shelves in front of me, I see STUFF perched here, balanced there, or “temporarily” stored yonder.
   Permanent features start out as temporary affairs. I must clear these shelves of items that are, bluntly, not books. There’s a box of bulbs – light, not daffodil. What’s that bottle of glue doing, sitting there? Gluing itself to the bookcase, clearly. Well, it dries clearly.
   How did it get to this? Gradually. An answer that covers a growing multitude of bookcase sins. Fear not, readers. I don’t store food there. Not yet.

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Festive cards are time-stamped. They go soon. I can’t do anything about the bottom shelf to my right – it’s set up to carry the plugs for my computer. The office is a paperless office. (Insert rabid laughter here.) And the office is a cableless office, too. (Continue rabid laughter here. Try not to trip over the cables.)
   These Blu-Ray discs need to go somewhere else, though. I should just bite the bullet and go digital in film and book. But I can’t do that – what would I do without physical books on cases? It’s only the weight of all these dead trees that keeps the carpet in place.
   I couldn’t allow DAYLIGHT back into the writer’s crypt. Look what happened to Max Schreck in that F.W. Murnau documentary.

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Yes, some things that aren’t books must, by law, remain on the bookshelves. What else would I do with my Spider Glass? I can’t leave that lying around the kitchen. The glass has played temporary home to a legion of spiders and lions and bugs, oh my.
   I keep meaning to add a label to the glass, saying SPIDER GLASS. Clue’s in the title. You may suspect, but, if you must know…
   The Spider Glass contains a fold of paper. These items serve as a spider trap. The Spider Glass does whatever a spider trap can. First, spot your spider. Next, curse your spider for stopping at an awkward spot high on the wall.
   Your stepladder is always in another room. If you leave to fetch the ladder, your steps are bound to set up warning vibrations – alerting the arachnid. No go. Instead, teeter on tiptoe with the Spider Glass at the ready.
   Pop the glass over that spider. Slide your fold of paper under the glass. Whisk the contraption outside, and deposit the arachnid in the wild.
   That’s the short version. There’s usually more of a struggle, with the odd threat to life and limb. If you don’t hear from me again, a spider got me. A spider got me to throw myself carelessly down the effing stairs and the glass shattered across my throat.

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The Spider Glass must stay in place on the bookcase, with the warning piece of paper inside. I could write Spider Glass on the paper, warning people off. My heart’s not in it. Besides, I know the purpose served by the glass with the fold of paper inside.
   Readers of this blog who find themselves in my company are forewarned, and need never fear accidentally quaffing a libation from the Spider Glass. There’s a remote chance that a visitor might seize the Spider Glass in a fit of madness and rush to the sink for a thirst-quenching session that takes in whatever invisible spider shit happens to be in the receptacle at the time…
   I, for one, think the possibility unlikely.

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Anyway, I’ve freed up wallspace by liberating floorspace, and the films sitting on my bookcases here will soon open their plastic cases and flit, batlike, to a far-off stamping-ground.
   Yes, I know I’ve bought the last of the very last of the last-ever lastest final never-again no more lastestest latestest bookcases. And I’ve hefted them, danced with them, narrowly avoided being butted in the head by them…
   The only difference this time around was the use of an electric screwdriver to cut assembly down to something resembling an aeon.

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Every single time a new bookcase arrives, there’s the opporchancity to review the array of books on the old bookcases. Can I finally take that one awkward book and reorganise half a library just to fit the bloody thing upright instead of in that unfortunate yoga position the tome adopted?
   Maybe.
   And that is the long answer, as well as the short one. Buying a bookcase isn’t about placing new books on new shelves. It’s all about easing the congestion elsewhere. How long before I reach saturation again?

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Sooner than I think, I think.
   I bought a few more digital books this past year. Not many. A few. Book-buying shifted again, into different types of physical book. I bought a lot of rulebooks for boardgames, so that I could run my boardgaming channel on the YouTube…
   Sadly, these slim rulebooks are accompanied by bulky games. There seems no way around that arrangement. (I downloaded a lot of digital rulebooks, read them, and deleted them if I thought the games no good. Saved me a lot of bad purchases.)
   There are no boardgames on bookshelves here in the office. (Okay, there’s once small card game in a bag, perched on a few jazz albums. And a prop statue with a gaming theme. That’s all. Apart from the prop watch. And two parts of a Terminator model from a cheap boardgame. The glue isn’t for use with that model.)
   No boardgames here in this office. (Fifth edition D&D sits on the studio table, but that’s not a bookshelf. And I never use the table as a bookshelf or impromptu storage area between video shoots. Honest.)
   My library is split between three rooms. I could consolidate, and shift all of the fiction and non-fiction books into Library One from Library Two, and then move all of the games out of Library One to form a game library…
   But that means altering the height of adjustable shelves to account for game boxes in one location and altering the height of adjustable shelves to cram more fiction books into place…
   That’s a lot of adjusting. Truth be told, I prefer to wander from one room full of books to another room full of books…

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And that means reintroducing the writerly rule. An author’s library is not a library in the conventional sense. Books are not stored alphabetically. They are stored where they damn-well fit in.
   Pauses to think hard about the next bit…
   No, I am fine. I am living carpet-clear now. Books are on shelves, and all is right with the reading world. There was a carpet migration, back in the depths of time. Do not store your books on carpets – store your books on dead trees on top of carpets. The alternative is to stack books freely, and that way madness lies.
   Madness and a peculiar death brought about by a bookalanche triggered on hunting a particularly devious spider. We’ve all been there…we’ve all died like that. And then recovered at the last gasp, also a last grasp, seizing the one piece of stable stone in the place and clinging to it for dear life.
   Spiders, I am informed, never have that problem themselves. It’s a technical thing: they just don’t go around trying to trap humans under glass.

Tuesday, 1 August 2017

UNFINISHED BUSINESS IN ALGERIA: A REPORT FROM A FUGITIVE.

I always thought of reading a particular book as unfinished business - the setting happens to be Algeria.
   A billion lifetimes ago, I caught a documentary on the author Albert Camus. Of note was his death in a car crash. Details of the author's doom translate into oddball fiction when dropped onto the page.
   Camus died with a train ticket in his pocket. If he'd boarded that train with his family, he'd have avoided being killed by his publisher.
   Francine Camus took the children through the winter landscape by train. Albert, on the other fateful hand, accepted a lift from his publisher pal.
   Being Scottish, I'd easily avoid this fate - if you spend money on a ticket, you use it and damn any inconvenience that comes your way. The offer of a free lift counts as an inconvenience once you've paid for another trip.
   Life is random. By default, death is random as well. I once avoided a travel-related death by not being in the wrong place at a very wrong time.
   If I'd been there, I couldn't have avoided death. Destruction was guaranteed.
   John Donne observes that death itself is slave to Fate, Chance, kings, and desperate men. This goes for the rest of us, too.
   If you risk doom on one form of transport instead of aboard another, which path do you take? At the outset, virtually every journey carries risk. Use the ticket? Accept the lift?
   Camus felt like keeping his publisher company, I suppose. Michel Gallimard didn't long outlive Camus. Nasty wreck.
   The writerly thing that jumps out of this story is the train ticket. And the really writerly thing that leaps from the affair is a snowstorm.
   No, not from the wintry French landscape. Inside the car. All those paper notes. The wreck was littered with dozens of pages from the writer's latest and greatest work - unfinished as he died.
   This documentary touched more upon the finished books, and I was curious about the story of a stranger. Camus set this in Algeria. On the American side of the ocean, that book is The Stranger. 
  

The Outsider. Cover, the Folio Society edition, 2011, illustration copyright Matthew Richardson. 

Conflict with an identical title forced a change to The Outsider on this side of the Atlantic, and that is how I've known the title down the years.
   The book's reputation is one of those awkward beasts. Do I really want to read a story about a cold fish who doesn't respond well to anything around him?
   But it's a classic.
   That label carries little currency. I've tackled a few dud classics in my time. No point naming names. I suspect emotional wear and tear on facing a few classics I've yet to read...
   Every million years I glare at The Whale, and turn away...much as two wedding-guests would hastily shun an ancient mariner.
   I know, from the nautical reputation preceding The Whale, that Mr Melville's weighty tome is a treatise on the inner workings of ceteceans. It also contains a few scenes about sailors.
   To deal with the generalities of the plot, I must wade to the eyebrows in the specificities of the whale itself. Ambergris and baleen are sure to feature.
   Camus died in a car, with a book and a publisher. His death reads now like a strange fiction. And his fiction, The Outsider, plays like fact.
   Eventually, I picked the book up and read the first part. (The book is divided into two sections, for reasons of the plot that I won't spoil here.)
   Would I even care about the uncaring character depicted in the story? I had to set the book's reputation aside and judge for myself, of course.
   And I found a character who observed a great deal. I remembered the line by Christopher Isherwood.

I am a camera with its shutter open, quite passive, recording, not thinking. 
   
And I thought...no, not quite like that. But in the general area. Isherwood is saying (or waving) Goodbye to Berlin. Camus is remembered through the filter of winter-bare trees on Parisian streets...
   But his story of an outsider burns harshly under an Algerian sun. Long story short, too late, I finished my business with an unread book, and set it up on the shelf between...
   An unread book and an empty space where an unread book once perched. More unfinished business. The missing book was located on that special book storage area...the floor.
   I find it impossible to write about The Outsider without revealing the plot. It's not a barrel of laughs, that's for sure. This is Graham Greene, with all the jokes cut out and more heft in the telling for that.
   Camus. The Outsider. It's a classic.


Friday, 21 August 2015

WHAT-THE-SHIT?!-LEVELS-OF-FUCKBUGGERY?! A REPORT FROM A FUGITIVE.

I am struggling to write.
   Not because I am struggling to write. Fuck, no. I'd blogged that I would do a follow-up blog post after the conclusion of a court case. And I will blog about that, before year's end.


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If you missed this, GO RIGHT AHEAD AND CLICK.


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It's just that I keep seeing...

   What-the-Shit?!-Levels-of-Fuckbuggery?!
   And I find it hard to write about harsh things in publishing without, er, publishing. But I am forced to hold off until a court case concludes.
   So, yes, I have a lot to say in a long writing piece. But legal reasons prevent publication at this time. I am struggling to write. Oh. There'll be a volcanic eruption, come the revolution.
   You will fear for the seams of this blog, as they strain to contain the ever-expanding universe-sized rant that's lodged in the vaults as I type.
   I speak of...
   What-the-Shit?!-Levels-of-Fuckbuggery?!
   And tonight I saw more of the same, and I felt that I had to blog. But I can't blog with specific detail. The court case comes first.


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I stress that I am not involved in a court case myself. Yes, I can sit back and say nothing when the time comes. But that's not the way of things.

   For I am involved in humankind. Therefore, send not to know for whom the blog tolls. It tolls for thee.


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It amused me to see, that, in typing John Donne into the blog post's labels, I was called on to hit DONE after I'd added Donne. This blog post was a vent of steam. But quiet quirky moments in writing vent steam better than any rant ever could.

   Stay tuned.

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Next blog post in this series - guilty verdicts, awaiting sentencing: INTERIM REPORT.

Sunday, 17 August 2014

THE IN-BOX: A REPORT FROM A FUGITIVE.

What should you expect to find in your in-box if you write books?
   Requests for help. These tend to arrive in the form of entreaties from Nigerian Princesses living in France.
   Rolex watch adverts.
   Plugs for earplugs.
   Viagra. Always the female variety.
   Urgent confidential requests for aid that I never open. So I can't tell you how much money these people want from me.
   This week, I was spammed by a mysterious character. Me. WTF?! Yes. I received an e-mail from myself. It was urgent that I answer this and deal with it. Vital that I check the enclosed attachment.
   Hmm.
   I don't recall writing that one. Or, indeed, sending it. Peculiarly, I have no urgent desire to respond. Hmm.
   Was my e-mail account hacked? No. Sooner or later - and in my case it's been later - you may be spammed by someone pretending to be you.
   I suppose this is designed to catch people who e-mail themselves. Do I e-mail myself? Technically, yes.
   This blog is e-mailed to me as an additional form of archiving. It's quite clear what the incoming e-mail is about. No mystery. And no urgent request.
   Almost all junk, spam, is filtered. Either I never see it or I only note its presence in the filtered folder before flushing occurs.


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Rarely, important e-mail is accidentally filtered out as junk. I believe I've caught it all, so far.


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And the rest? How important is e-mail? You can reach me at the listed e-mail address. Doesn't mean you want to, and doesn't mean you should.
   I deal with other writers on a regular bassoon. We talk of many things: shoes, ships, sealing-wax, cabbages, kings and desperate men.
   E-mail is important.
   When I update a book by altering the blurb or the price, Amazon e-mails me to say the updated book is now live.
   So far I've dealt with legal issues through e-mail and not the courts.
   Payment is noted via e-mail. This is the digital age, and authors should not be paid twice a year. I don't have a paper publishing company dawdling in the background.
   E-mail is relatively swift, and problems can be set right rapidly. Doesn't mean they will be. But the option is there.
   Writers. Check your in-boxes. Yes. Writers need more than one box. I have at least...oh dear. Let me think. Damn, is it seven boxes now? Yes. All tailored to different levels of e-mail traffic.
   My busiest in-box is the one visible on this blog. It is tied to my Twitter account, and I take loads of incoming waffle. But I think that's important.
   I don't routinely Tweet my book links on the Twitter. My best responses come through talking about coffee or showing pictures of ice cream.
   In other words, I try my best to stay human. Even if the content of my in-box appears generated by robots. I can't act that way.


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This blog post was about being sent spam by my evil clone. I had nothing grand or revelatory to say on the business of e-mail. Keep a lid on it...
  Generate the ability to know, looking at the e-mail's subject, whether that message will be useful or not. Occasionally, I've been caught out by a monitor warning me that my outgoing e-mail title might constitute spam.
   Would I like to alter the title? Yes. That's been surprising. Why is this phrase or that word considered spam?
   Don't mention help in an e-mail subject. Try to avoid saying hello in the title. If you hold a doctorate, make no mention of this in the intro.
   Above all, omit the name Sani Abacha from your scribblings. There's no Swiss legacy waiting to be unlocked.
   Must see to my e-mail.