RLLauthor@outlook.com and @RLL_author GO TO AMAZON KINDLE STORE AND TYPE RLL. YOU WILL FIND MY BOOKS.

Showing posts with label P.G. Wodehouse. Show all posts
Showing posts with label P.G. Wodehouse. Show all posts

Saturday, 1 June 2024

WHEN AMAZON KINDLE DIRECT PUBLISHING TRIES TO REMOVE YOUR BOOK: A REPORT FROM A FUGITIVE.

They came after me.
   Let me be clear about this. Amazon KDP didn’t try to remove my book. They simply eyeballed my book’s material during the standard publishing procedure. And they didn’t like what they saw. So they totally tried to remove my book.
   This is publishing death by algorithm. It is removal by default.
   I’d conducted one of my periodic reviews. My Kindle books house hyperlinks leading to the outside world. Occasionally, those links go bust. Either I remove the links or update to better ones. If you change a single thing or many things then you are republishing.
   My deal with my cover model, Totenbraut, included this gem: I’d provide links to her online presence. In the past, I offered multiple links. My recent review showed one link stopped working across several books. Time to update.
   I hired her again to provide a new cover for a book. An updated cover means republishing the whole thing, and submitting the work for review. You can’t update the cover by itself. It’s a fairly painless process, if damnably slow. I’d also need to update the link situation. Line your ducks in a row and then bomb the whole waddling crowd at once…
   One change or many changes, the arrival of the update e-mail is slooooooooooooooooow. So make many changes at once. Don’t change and republish, change and republish, change and republish, not for one book, all in the same day. Oh, the sun has set. When did that happen?
   This wasn’t about updating one book. I don’t leave any books behind. No. I check all the files, update what’s necessary, and republish everything on the list anyway. Whether Totenbraut is on the cover or not, whether some books need updated links or not, everything is checked and it’s all published again.
   Then the material sits in a folder that’s done. Latest book folder blah-de-blah, insert date here. This is a hell of a lot more convenient than the way I used to do things.
   (I knew what was updated based on whether or not the book file had a back-up file. Fiddly, and easy to miss in a sea of files. Therefore…)
   Your one-stop-shop really should be a one-stop-shop. Everything is updated. No book is left behind. Here are the latest copies. No quibbles.
   And so…
   Updating one book with a cover, and updating several books over a busted link, I reviewed the rest and found one thing that needed fixing across all books. Looks like I’ll be publishing all books all over again anyway, and with good reason. Time to update that folder in full.
   And then…
   I slogged through the fixes. Checked. Double-checked. Triple-checked. One by one, the books went from LIVE to LIVE plus a note. The note tells you the book is under review, and reviews could take up to 72 hours.
   This is an arcane process. You republish books one, two, and three…then see book three finish the marathon first. An e-mail eventually states your book is now live. Publishing order depends on the size of the book and the number of alterations. Also, the weather plays a part. And, possibly, chicken bones feature in the equation.
   One by one the books cleared the last hurdle, in no particular running-order. I missed an extra detail, and had to go in and publish one file again. That’s why you quadruple-check the stuff you triple-checked. This took eternity.
   My wayward nag passed the hurdle the second time. And then, out of a clear blue sky, thunderclouds formed. Oh no. One aircraft from the squadron hasn’t returned. Should be back by now. Everyone else landed and went off to the pub. Pilots. Roaring drunk, the lot of them. Thunderclouds formed.
   Not gradually. This was an instant thunderstorm. Dehydrated. Just add water. And maybe an algorithm. I wasn’t the only one conducting a review. Amazon reviews everything you put out there. And then clears it. That’s what Amazon does.
   Amazon cleared this particular book over three dozen times since I first published it. Going by the e-mail archive, that is. I updated or changed a load of links, many times. No drama. I even changed the file when their outdated format was replaced and no longer supported. If I added, subtracted, or altered material, I republished the book. And I never had a clearance problem publishing or republishing the text.
   Did you hear thunder? Must be an incoming e-mail from Darth Bezos… 

During our review, we found that the following book(s) appears to be a derivative work based on previously published content:

INCOMPLETE UNCOLLECTED SHORT WORKS. by RLL (AUTHOR)

 We need to confirm one of the following:

• All underlying content is in the public domain
• The underlying content is under copyright and you have the rights to use it

In order to publish the book(s), please take the appropriate action below within 5 days:

Option 1: Provide information for underlying public domain works
If your book(s) is based on a work(s) that is in the public domain, reply to this email and provide the following information for the public domain work(s):

Underlying work information:
1. All author names:
2. All author dates of death:
3. All initial publication dates:
4. All initial publication countries:
5. Website link(s) to confirm:

Option 2: Provide information for underlying works under copyright
If your book(s) is based on a work(s) that is under copyright, reply to this email and provide us with documentation and/or verification showing you hold publishing rights.

Examples of documentation we cannot accept include:
• A personal statement by you that you have the publishing rights
• A copyright application for which registration has not been confirmed
• Contracts that have not been signed by all parties

For more details about publishing public domain books, visit Help:
https://kdp.amazon.com/help/topic/G200743940

Please reply with the requested information within 5 days. Otherwise, the book(s) will be unavailable for sale on Amazon.

If you have questions or believe you've received this email in error, reply to this message.

Thanks for using Amazon KDP.

I’d never received one of these Nastygrams™ before. Well. Fuck.
   Why is this message bad? REALLY BAD. WELL AND TRULY BAD. If you don’t comply then the book is gone, and, if you are a repeat offender, Amazon can shut down your entire account. You aren’t allowed to open another account to start all over again. No more publishing on Kindle for you.
   They put you up against the wall, offer you a last cigarette, and shoot you before the tobacco-related cancer kicks in.
   Worse than that, you can be banned on your first time out of the gate. You don’t even gain the luxury of being accused of repeat offending. Whether you are farm-fresh to the Mighty Amazon or you’ve been plying the trade routes for years…doesn’t matter. If this message lands on your doorstep, then it is – to use a highly technical term – some serious shit.
   Fuck fuck fuck fuck fuck fuck fuck.
   It happened on a Friday, close to midnight. I read the message during a late check-in on e-mail. Midnight rolled around. I now had four days in which to deal with the problem, and not five.
   Weekend days. If I replied on Saturday, would I see any response before Monday? It’s careless to load a book into the system and then disappear for two weeks to the Bahamas without reading e-mail. So…never do that. You might return to a ban. Of everything you’ve ever published.
   I had to respond, or else. Amazon KDP didn’t try to remove my book. But they totally tried to remove my book. This is publishing death by algorithm – selecting my title seemingly at random. It is removal by default – if I don’t respond in the five four days left to me.
   What to do? Sieve. Sift through the corporate speech and note the important points. Sadly, the important points were generic. We think you messed up, but we aren’t going to tell you how. Why not? Software selected you. Congratulations. You’ve lost this lottery.
   Had I published material that was already in the public domain?
   No.
   Had I published material that wasn’t mine to publish?
   No.
   Did Amazon contact me in error?
   Yes.
   I had to respond within five four days and tell them so.
   What was evidence? I wrote the material. True. But that wasn’t evidence. They couldn’t accept this on my say-so.
   Now an affidavit from a thunderstorm, or a few words on oath from a heavy shower, would meet with all the attention they deserve.
   Well, what else could I offer? I turned to the interwebs to find out how other people dealt with this. Oh no…
   A few examples proved…less than helpful. Unhelpful. Okay, fucking useless. A scammer or two dropped hot truth bombshells on a crater-infested landscape. They’d been caught out trying to sell the Kindle version of snake-oil and Amazon insta-killed their bare arses – which, incidentally, they were all showing on the High Street. And here’s how to get around the problem…
   No fucking use to me.
   I stared up at the Sword of Bezoscles dangling over my head by an electronic thread. What to do? Write myself out of a hole, obviously. How to say what needed to be said? Swearing wouldn’t cut it. I could ask for further clarification first, instead of arguing my case.
   But why bother, if my response cut the argument off at the knees? Save a lot of pointless e-mail tennis, back, forth, swish, goal, no, it’s offside, wait, that’s not cricket. Without swearing. Swearing wouldn’t cut those knees. I had to base my reply on the facts. Facts I had to back up somehow.
   And no swearing. Also, swear ye not. Oh, and don’t fucking swear.
   I wanted to say What the fuck, Amazon?! without swearing. The Amazon e-mail accused me of ONE of two things. Either, reading between the railway lines, I was up to some sort of scam by publishing material in the public domain…or I was publishing material belonging to someone else without permission.
   What is the public domain? There you’ll find material that is out of copyright. Don’t confuse this term with the public arena. They are not the same thing. I have placed my blog post in the public arena. You can read this post online, very publicly.
   But I haven’t relinquished, re-assigned, or surrendered the copyright in this text. The blog post you are reading is © to me and it is not in the public domain. The copyright is mine. It hasn’t expired. Barring further changes in copyright law, it won’t expire until 70 years after my death. So, as I sit typing, I’m glad it hasn’t expired – this tells me I am still alive.
   Amazon believed I’d published my book…but it was old material by someone else and it was out of copyright. Maybe I was scamming people with that. And there are plenty of scams that tried their luck on Amazon Kindle, based on stuff that’s out of copyright.
   Option two…
   Amazon thought I’d published my book…but it was material belonging to someone else and still in copyright to…whoever. I know a few Romance Writers. They’ve told me the romance industry is full of that shit.
   Grab someone else’s book, slap a cover of a rippling male torso out there under a new title, and…get exposed by an entire internet of romance readers polishing their magnifying glasses and sharpening their kitchen knives.
   Hunky Detective Dude becomes Spunky Mountain Rescue Dude. True to form, the mountain guy spends much of the book investigating a murder. Like a detective. Chad Bradley becomes Brad Chadley, and no one notices. Right?
   Fucking wrong, you fuck-muppets. Why do you keep doing this? Evil romance writers, for frock’s sake. Romance writers. You were meant to provide hope in the world. Damn it, Darth Bodice-Ripper. You were the chosen one. Lady Lace-Gusset threw over Lord Chinstrap’s country estate for…Duke Brad-Chadley the Detectionist?! And his horse. Buick!
   Fuckwits.
   Anyway. Amazon needs to confirm one or the other.
   One. I have put out material that’s from some other century, this is not a scam, and the copyright expired so here’s all my working.
   The other. My book really is my book and I haven’t published anyone else’s work as my own without permission signed in blood.
   Either it’s in the public domain and I’ve followed the rules, so Amazon can fuck off, or it’s in copyright and the copyright is mine. And Amazon can fuck right off. I’m forced to explain myself without swearing.
   And so…
   My response is to deny the first point and move on to the second point. Easy. My book is my book. Or, no, let’s look at this in detail…

We need to confirm one of the following:

• All underlying content is in the public domain
• The underlying content is under copyright and you have the rights to use it

All underlying content is in the public domain? No. Job done. First point denied. No evidence. Just flat-out denial. Moving on to deal with…the underlying content is under copyright and I have the rights to use it. Yes, the work is copyright, and yes I have the rights. Job done, bitches. But how to prove that?
   I turn the cogwheels in my mind, trying to work out what tripped the sensors. There’s an obvious point. Let’s open at the start. 

During our review, we found that the following book(s) appears to be a derivative work based on previously published content:

Is this it? INCOMPLETE UNCOLLECTED SHORT WORKS is a collection of short stories. There’s an earlier article in there. And I incorporated blog posts into the text. Those blog posts told the story of building up to publishing on Amazon Kindle.
   I own the copyright in this blog, and in the article I wrote, so I am fine with work published previously elsewhere. Yes, the blog posts were previously published – by me. I own the paperwork on the paperwork. Did I fall foul of an automated process?
   Amazon Kindle Direct Publishing.
   I can publish collected articles in one volume. They are mine. No big deal. But there’s also Amazon Kindle Direct Publishing Select.
   If I enrol a book in that programme, I agree the material is exclusive to Amazon – and hasn’t been published elsewhere, not even on a blog, so help me, Bezos.
   Of the books I published, two, and only two, were outside the KDP Select programme. One contained an introduction taken from a blog post: that book was MIRA E. Eventually I kept the material inside the book, and deleted the blog post so I could transfer MIRA E. to KDP Select. Removing the blog entry from the public arena made MIRA E. available as exclusive under the Select contract.
   Now I only have one book outside KDP Select. INCOMPLETE UNCOLLECTED SHORT WORKS still has the blog posts inside. Those posts are still live on this blog. There shouldn’t be a problem here. The rights are mine.
   Along with all the rest of my books, I published this book again. There was a hyperlink I had to deal with. And that was about it for the text. No other great changes.
   Did I somehow accidentally enrol the book in KDP Select when I republished? If I did that, I’d be in violation of the exclusivity agreement, as the blog posts are still in the public arena. Amazon could have run an internet check on the text and found portions of the text online in my blog. And slapped me. However…
   You must actively enrol in the Select programme. It’s not automatic. You choose. I was sure I hadn’t fucked up on that score. (Spoiler for this story: I didn’t fuck up on that score.)
   Okay. I hadn’t breached a Select agreement – there was no Select agreement to breach. I didn’t select Select. Yes, I’d previously published the content elsewhere…but I didn’t breach Amazon guidelines. Also, it was my content. No exclusivity contract could mess this up for me – if I didn’t sign it. I didn’t sign it.
   What the fuck else could it be, then? Bearing in mind, they never told me in detail. Just said I’d done a no-no. Oh no I hadn’t. What if this is about the first point? The public domain stuff? Is it the title? It’s a jokey title. Like writing an Unauthorised Autobiography.
   Maybe the detectors at Kindle HQ picked up on incomplete and uncollected and tried to match them to public domain collections. Collected letters. Complete collected poems. Along those lines. Short works. This seemed the more likely case.
   OR. Someone put out a public domain anthology and added essays that are copyright to them. And my title triggered a more complex conflict in the Amazon searchlight.
   So have I stumbled over a mutant hybrid combination of point one AND point two, leading to a case of mistaken identity?
   (I’m often confused with the Venezuelan rocket scientist of the same name.)
   My book is electronically mistaken for a work in the public domain based on a similar title, but there’s also new copyright material in this other work and I’ve been labelled in breach of that as well? Amazon isn’t bolting an arm to a torso, in the style of Frankenstein, surely?
   No. It’s all bullshit. This isn’t about point one and point two merging on the slab, down in the lab, fuelled by mistaken identity, unidentified flying conspiracies, or too much/too little booze.
   Get into tiny detail, then. It can’t be a title thing. For a start, there is no copyright protection in the title of a book. (Though there are other protections and remedies available. I won’t go into the finer details here. This blog post is long enough as it is.) Did they think a title of mine was too close to a title by someone else? Well, they never told me. So I don’t know.
   My opening defence would be…there is no copyright protection in the title of a book. Also, I check titles on Amazon to see if someone else has written a book with the words I intend to use. That’s at the start of the story writing process, not left to the end of the publishing process.
   I am puzzled. What have I done? Or…
   Wait, no. What has Amazon done? Down the Kindle years, I’ve become aware of all sorts of scams on Amazon. They flare up, are spotted, and then they are squashed. Was I caught in a net cast for another fish? Did I walk into someone else’s surveillance operation?
   The net tightens. Well, it’s always tightening. Amazon upped (or downgraded) its game and now the devil take the hindmost. Did they use Artificial Intelligence to save on a thimble of perspiration? Maybe. Are we going to see more of this bullshit? If it saves money, and it does, then as sure as night follows day…yes.
   On the topic of Artificial Intelligence, as I went to republish these books I was asked if I’d used any Artificial Intelligence in the creation of my works. No. More galling than that, when I went to check on my potential Amazon ban, I was hit with an advert for making money on Amazon.
   And it came across as the scammiest Amazon advert I’d seen. This woman offered me the secret of using Amazon to make money. Eventually, she told me about Amazon publishing. And, hell, I didn’t even need to write the books myself. I could use Artificially Intelligent tools…
   The only artificially intelligent tools I had to deal with were the robotic ones on Amazon trying to remove my work on a digital fucking whim. Okay. So. Leaving much subtlety and nuance in copyright law aside for the sake of fucking brevity…
   (It’s a bit late for that.)
   The only thing that matters is this: my human response squelches Amazon’s robotic objection.
   No swearing. I swear mentally as I type. The best position to start from was the one they threw at me. If I received their complaint in error, I should say so. And I open right there.
   I believe I have been sent this message in error.
   No shit, Sherlock. But, luckily, I HAVE been sent this message in error…and so I immediately channel their response in that direction. I follow up with the original publication date. So they know it’s been published on Amazon for years with no problems. Until now. And I tell them the book is a collection of my own short stories. All true.
   But wait a bit. They want evidence. 

Examples of documentation we cannot accept include:
• A personal statement by you that you have the publishing rights
• A copyright application for which registration has not been confirmed
• Contracts that have not been signed by all parties

Basically, I am telling them I have the publishing rights. They can’t accept that as evidence. But it is worth telling them. Assert ownership over your material. I tell them I wrote the fucking stories without swearing at them.
   What’s this next piece of legal nonsense? They won’t accept…a copyright application for which the registration has not been confirmed. That’s American copyright law: a quaint notion Robert Louis Stevenson hoped they’d get around to some day.
   As Scottish as Stevenson was, I needn’t register my copyright anywhere. (Oh, services exist for that purpose. For a fee, of course.) My copyright exists in the work from the moment of its creation. However, there is a place to lodge your work: a library of record. So I fire that salvo at them. I tell them the work is lodged as a matter of record…
   This is a quick e-mail, fired off under the stress of that sword hanging o’er my head. I don’t provide documentary evidence. But I tell them plain. And I can back that with documentary evidence if I really have to.
   Even the blurb – the Amazon product description – tells readers this is a collection of my own work. Is that evidence? Add it to the pile. Can’t harm to put it in. Wouldn’t think of leaving it out. Assert your ownership of the material.
   Then I really get into the part they won’t accept as evidence.
   Listen, fuckers. My fucking book is mine to do with as I fucking please. You’ve never fucked with it before. Well now you fucked around and you fucking found out.
   All the fucking times I fucking republished the fucker with minor emendations, and you come to me now, like an ungrateful cunt in a Mafia movie on a wedding day, and you don’t like a minor fucking update to the opening fucking text?
   Not even part of the fucking story. The fucking preamble. Don’t shit down my fucking neck and tell me it’s raining chocolate. How much do you love your pet horse, Jeffy? I’ll fucking see to it that Jeffy the horse gives you a big wet cuddle when you go to bed at night. Make you an offer you’ll never forget in a fucking hurry. And what’s with the cheese? I stick motherfucking provolone in my socks at night so they smell like your sister’s crotch in the morning.
   Yours, sincerely…
   Scotsman with a grievance. Ray of sunshine. P.G. Wodehouse. Google it.
   I didn’t phrase any of it that way. And I don’t recommend writing to Amazon with that level of spleen. I did all that without swearing. Out loud or in print. Mentally, though, the text was spot-on. In your head, that response is the only place for that response. I was calmer and more measured in the e-mail.
   Anyway, I told them the work was my copyright, it wasn’t in the public domain, and that was that. To them, it’s not evidence. But tell them, tell them again another way in the same response, and shuffle the words around to tell them a third time. Amazon says it isn’t evidence, but it’s fucking evidence to you, hell, and definitely to me.
   I looked for duplicate book titles, just in case. Nothing. Again, that’s no crime in copyright law anyway. I returned to the business of their error. A computer search lumped me in with another category by mistake. I invited them to look into this. And I asked them to state, explicitly, the nature of any passage that troubled them – given that they’d offered me a generic error message with nothing to go on.
   Then I ended with the accusation that an algorithm was at play. In other words, don’t come to me and tell me that it is up to me to prove my innocence over a vague issue. You tell me what I did wrong. And show evidence of that. You can’t? I knew that score the moment yon dreadful e-mail landed on my digital doorstep.
   But I didn’t swear. Aloud. Or in print. You’ve made a mistake, Amazon. Where’s your evidence, author? Come on, Amazon, you tell me where the evidence is. Shtrict rulesh of golf, Goldfingerrr. 

EMMA STONE: No, Jeff. You be trippin’.

Long story short, too late, as soon as this went in front of a human pair of eyes, the matter was resolved. 

The following book(s) you recently updated have been reviewed and were successfully passed:

I received a separate e-mail telling me the book was now live in the Kindle store, where it remains. Looks like they’ve added a glitch to the metadata, but that couldn’t have triggered the initial investigation.
   At least the book is there. I wonder if the page-count was a factor. Could be…they thought it was a public domain scam with the same 30 pages repeated many times over, for the page-turn farmers to click through, possibly. Doesn’t matter. They never said.
   Advice. If they come after you and you are a scammer, tough luck. But if they go after you purely as the result of tightening their steely grip on scammers, keep your cool. Gather the facts. Present them without swearing.
   If they come after you when you’ve made a genuine mistake and you’ve fallen foul of the regulations, hope it isn’t the end of your account. Try not to fall foul of the set-up in the first place.
   So much is published that they can’t check it all. They rely on automation. So. Put your complaint in front of a human being. Legitimise your case by simply turning up to argue that case. Scammers are less likely to put in an appearance. Assert your ownership of the material. Don’t swear in the e-mail.
   Much swearing went into the making of my response to Amazon. On the electronic page, the profanity was all in digital invisible ink.

Thursday, 20 August 2020

NEW COMPUTER VERSUS OLD OFFICE: A REPORT FROM A FUGITIVE.


I’ve run many offices out of cramped quarters. They were near-clones of each other. Common features? A chair at a desk or table. The computer, the screen, the keyboard, the mouse, and the printer…all present and mostly correct.
   To this day, the office remains papery. I reduce the use of dead trees and almost go paperless, until I am overwhelmed by a sudden surge in rectangular sheets that takes me back to the old ways.
   Well. Damn.
   I’ve gone about as hi-tech as I can run – the printer is wireless and sits in a different room, with actual room for it there. But I never quite manage to be 100% paperless. There is a printer in this room – I only use the scanner part of that machine. Yes, there’s always a need for paper. I scan stuff into the digital world, in imitation of the movie TRON.
   No, I don’t have a big eff-off laser or a massive vault door. One day, sigh.
   We’ll always need paper. Even if it’s just toilet paper. I have a roll of that handy, to mop up spillages that threaten to turn my chair into an electrical one if the rising tide consumes the cables. As more time passes, the cables grow longer and snakier and cablier…not less-so. If I went completely wireless, I’d be my own radio station.
   The computer sits to the left in one office. Now it’s on the right in the revamped writing lair of another set-up. Here, in an earlier incarnation, it’s still under the desk in the flashback I’m having. There, it’s on a chest of drawers next to the table and I’m being inventive with the cabling. The cable creature is the hydra-headed monster that grows two new cables for each old cable I ditch.
   As I type, I moved the new computer from under the desk to the right of the desk for around five minutes and…now, for however long NOW is, I’ve settled on a platform to the left of the desk. Low, the machine perches on a TV stand chosen for its ability to fit in the lack of space not available.
   I’m in the process of clearing the bookshelves of non-book things. Living clean, now. No gadgets amidst the stacks, away with clutter, why would I perch spare shoelaces there anyway…and so on. The TV and desk both block very easy access to the lower shelves, but those hidden planks are taken up by the cabling. Of course.
   Still with me, long into the digital age, is my reference shelf. Twenty books. There were nineteen tomes when the reference section sat, loosely, atop a small bookcase. The rule of the bookcase is simple.
   That topmost area of the wooden frame is also for books. The low bookcase just squeezed in, and made for a great stage on which my reference works strolled and acted.
   Storm after storm shook the office. And with each organisational tornado, shelves rose and whirled and flew and settled. I kept the doorstopper books on the ends, without support, to hold everything else in place.
   Now and again another bookcase acted as a default bookend of sorts, buttressing the reference works. Storms came and storms went. The reference section remained intact. Fossilised, as it turned out. I left the reference relic to sparkle, in amber, as the easy lure of the internet made it more convenient to cross-reference items.
   Today, the reference shelf is a little longer, and higher up, on an entirely different bookcase within easy sight and reach. Living on a wider bookcase, nineteen books accepted a twentieth into the ranks when I picked up a new reference work.
   A papery refugee, struggling to find a home.
   They stand, tight-packed, in there. Those books. No matter how the office is arranged, the reference shelf survives. As technology advances, the reference shelf endures. Just this minute, I’ve added eight tiny dictionaries to the reference shelf.
   Those micro-books are held in place by a large dictionary in what is now the back row. No, I don’t know how many dictionaries I own. I’m sure there are others, somewhere else. Yes, I was once trapped behind a bookcase. But I survived to have another coffee.
   Moving books from shelf to shelf is a tricky prospect. Many books loom over my workspace. I sleep on the other side of this great divide. One day, I’ll be found dead under the collected works of Dorothy L. Sayers.
   A clear slipcase of murder.
   Moving books around shelves is a tricky prospect for reasons of memory. I’m engaged in wordy toil over movies at the minute, and I was reading up on The Matrix when a name jumped off the page at me.
   That name collided with the bookcase to my immediate left. Over the past month, I’ve been accused, by three separate sources, of being surrounded by bookcases as I sit in a high-backed chair next to a roaring fire…
   Smoking-jacket, optional. Tobacco-products, not in evidence. I’m suspected of swilling brandy, most likely just for the atmospheric effect. A Mary Shelley Level of Rain™ rattles off the windows, and another lump of coal cracks and splits dramatically…
   The truth is, it’s been a good while since I sat in a high-backed chair next to a roaring fire with a shelf of books to hand…but, yes, there’s a grain of reality on that fictional beach. No smoking-jacket. The room contained an empty brandy glass. Rain rattled off the windows.
   But the real truth is…as I type, I am hemmed-in by the too-tall bookshelves that will one day deliver a succession of fatal blows from the typewriter of Dorothy L. Well, if you have to go…go dramatically, with a hint of murder and mystery.
   In other words, I’ll have vanished, on the run, after killing them all.
   My reference shelf grew based on what would fit in. A biographical dictionary sits next to an Atlas. Then there’s a dictionary on artists. Wikipedia and Google Maps are closer to hand. I’ve entered, or exited, The Matrix too many times to know what’s real.
   Another author tells me that there is still room in life for picking up a book and checking a reference. And I agree…if only to assist in keeping the fruits of my research sound exactly like everyone else’s browsing of Wikipedia.
   Top tip. On Wikipedia, I read the Talk pages as well. Mostly for the humour.

*

The last time a maintenance man was in here, he declared that someone likes to read, and left it at that. The library changes in the sense that the library grows. Bless your heart if you thought I cleared the stacks at intervals. Away with your heresy.
   That business of change is an easy business. Far trickier is the puzzle over ensuring things stand still. When the old computer dies, electronic koff, digital splutter, you move to a new computer.
   It works fresh out of the box, but it’s not the same. That’s the bloody trouble. You must house-train the young pup. Teach the new dog all the old tricks by installing familiar software. Not to go all Yogi Berra on you, but I think we’ve been here before.
   I endured a month of computer disruption. Two weeks crawled along as I used my old retired computer. At least this was familiar. I’d ported the look, the layout, and the software from the retirement home computer to the dust-free model all that time before, after all.
   Familiar, but slow – like a much-favoured brand of treacle. My computer died and I took a familiar-looking computer out of retirement. Now it was time to pass the grandfather layout to the grandson.
   But. That’s all digital. Making the new computer set-up so familiar that it resembles the computer before and the computer before that. Going back further, it was more like an offshoot of the family with little resemblance.
   This is where I came in…
   I’ve run many offices out of cramped quarters. They were near-clones of each other. Common features? A chair at a desk or table. The computer, the screen, the keyboard, the mouse, and the printer…all present and mostly correct.
   Out of the box, the new computer was a magnificent thing. As long as I had a monitor it recognised. That was sheer luck, Jeeves. And gradually, week upon week, I transformed the faster machine into a racehorse I recognised. The old racing colours flew again. That desktop is the old desktop once more.
   But.
   The new machine was…bigger as well as faster. Adding an extra reference book to my reference shelf was possible only after the transfer of the entire collection from a small bookcase to a large bookcase with longer shelves.
   I had a case problem. The new computer case was just a bit too big for the space available. Solution? Okay, I reached for a hacksaw. So what? This is what you have to do when you really have to do stuff.
   Briefly…(too late.) The old system was sideways. You walked in, turned left, shut the door, and sat in the chair. My computer sat on an old TV unit that barely fit into the alcove of bookshelves. I am, sadly, still clearing up those shelves so there are only books and hardly any clutter. Yes, I tidied. And yes, I’ve untidied the shelves all over again.
   The old TV unit wasn’t tall enough. I needed an overhang for the keyboard. In comes the upright desk thing. Whatever the gadget is called. It lets you stand at a computer and type. Height is adjustable. I had the wooden TV unit with the upright desk thing on top, and the computer itself sat down inside the glass door of the TV unit.
   Fine. It worked. Cables were all over the place and then some. But it worked and I didn’t care how it worked. So much for the Olden Times. It worked. Until the new computer arrived. And the new casing for the PC was just a shade too large to put under the TV unit inside that glass door. Not total glass. Wooden frame with a pane of glass in there.
   Right. I’m stuck with a huge unit and a too-huge computer. Is there a solution? Yes, if you chase after one. When you shut the wooden frame of the door, it buts up against a crossbar. That support is there to make the door fit snugly. It was loose. (I’ve put it back together again, and it is still loose.)
   I decided to pry this slat out. No bother. The computer now had enough of a gap to fit in there. Terrific. Only problem…the computer case was too fucking long. What to do? It is essential, if you have a library stacked with dead trees, to possess some spare bookcase shelves. Obviously, I have spares.
   Short and narrow, two of these spare planks would fit under the case and act as a platform allowing the case’s annoying feet to rest evenly and safely…
   Well, sign me up to that shit.
   Problem I see in my near-future. The two shelves together are narrow, and will slide around from right to left if I bump into the whole arrangement. UNLESS I fill the gap down the side with two pieces of wood cut just right. And I have a piece of wood left over from a chunk of packaging.
   All I need is a hacksaw. I hack and I saw. There is some measuring, of course. You can’t go around with a hacksaw, willy-nilly. It’s just not done. When the dust settles, what do I have? There are two planks of wood forming a makeshift platform, inside this cupboard area. They are jammed in solid by the wooden bracing pieces I’ve cut up…
   The computer slides in on this contraption and all is fine. It’s terrific. EXCEPT…
   Oh. For. The. Sake. Of. Fuck.
   This machine has a glass panel at the front. Which means all the USB ports are at the back, as expected. And all the front USB ports are on top instead of the standard arrangement. I truly need the two front ones for various gadgets.
   BUT. The top of the computer case is a shade TOO TALL. It nestles just barely under the extending desk arrangement that holds the TV monitor. The only way to access the USB is by extending the extending desk into the air and taking the TV up the way. Then there is room for the USB. Okay. Thank fuck for the extending desk.
   I stepped into difficult territory here. My archive, from my dead computer, was in a live hard drive. That hard drive sat in a cradle to make it easier to plug in with a USB for all that wonderful access. The USB went in the top of the PC. I started copying the data over.
   This took a few hours. As I came and went and did other computery things, the extending desk shuddered and dropped a little. Shit, fuck, bugger. I couldn’t unplug the USB during file transfer. So I had to sit there and catch the desk to stop it crunching down on the USB head and ruining the gadget.
   I resolved to save the day by using toilet roll. The roll was hardly touched. I place it as a brace under the extending desk. The desk later collapsed with twenty minutes of file transferring left. It landed on the toilet roll, and the roll held. I banked on the cardboard core being supported by the huge wad of paper. And I stayed with the machine for the final transfer of files. As soon as that procedure was done and digitally dusted, I switched the old archive off and took the USB the hell out of Dodge.
   And then?
   Either raise and brace the extending desk platform or change the office once more. I had to rearrange so much fucking furniture to make room for a new desk. The computer sits to the left of it on a glass TV stand, and I now face the back of the room instead of the left-hand wall. There’s less faffing about with the chair behind the door.
   I am in the same place and a much better place all at the same time. The TV is all cabled up and sits on the extending desk unit atop the new desk. It’s been a long time since I rearranged an entire office set-up to cater to a new machine.
   Here’s hoping it’s going to be a long time again before the next upheaval.



Monday, 7 April 2014

EMERGENCY BLOG POST NUMBER THREE. DIVE, DIVE, DIVE! TORPEDOED BY KACEY VANDERKARR: A REPORT FROM A FUGITIVE.

I just discovered that I've been booted out of an aeroplane into clear blue sky. The rest of this blog post will be spent checking for a parachute.
   Who did this to me? Kacey (insert expletives here) Vanderkarr. She just blogged about me, and left me flapping in the breeze. I'll do something a bit different...
   Yes. I'll publish this post now, and continue writing. Kacey is part of some cult called a blog hop. At the last second, she ambushed me with kindness and praise and all that evil stuff.
   Readers of her blog have been steered to my café, in anticipation of GOOD EATS. (See any Harold Lloyd film for details.) I must now frantically scramble literary eggs.
   Pay no attention to that man behind the curtain. Abnormal service will be resumed shortly.

*

Well, this is a first. Publishing the blog - going live - and then publishing more of the blog post as the world turned. Readers who came late to the show, you'll just have to take my word for it. That asterisk was your signpost of events in the dim and distant.
   Onward.
   Must be a change in the weather. I’ve been bombarded from all sides by people telling me how nice I am. Maybe someone will come along and accuse me of being a grumpy bastard.
   Take Kacey Vanderkarr, for example. If you were steered here from her blog, you'll know that I am Scottish. How Scottish? Really grumpily Scottish.
   It is never difficult to distinguish between a Scotsman with a grievance and a ray of sunshine.
   P.G. Wodehouse was not wrong.
   I am grumpy. A professional curmudgeon. Kacey Vanderkarr would have you believe otherwise. (Insert expletives here.) Apparently, I drive her crazy with this whole writing nonsense nonsense.
   Why? How? Oh, I do outrageous things.
   For example. I tell her she can write, and that she has to publish her work - just in case she's swept up in a Zombie Apocalypse. That drives her crazy. How crazy?
   Crazy enough to publish. Here's a link.
   KACEY'S FIRST BOOK.
   Is that crazy enough? No. She likes to embarrass me, she says. How? Oh, by throwing a dedication my way. Here's a link.
   KACEY'S SECOND BOOK.
   On her blog, Kacey says I teach her things about writing. As authors, we are in this business to learn stuff. We'll learn by looking out the window, or staring inward to the heart of darkness.
   And we'll learn stuff by researching. Reading books. Trawling websites. Talking to other authors. I learn from Kacey, from Missy, and other writer contacts too numerous to bribe.
   Writers are not rivals.

*

Ow.
   I've been sapped over the head and dumped into this blog hop. Which means answering four questions. Is there no end to the torture?

1. What am I working on?

More than one book at once, as usual. I'm dividing my time between JAPANESE MONSTERS and many other things.
   JAPANESE MONSTERS is a tale of demonic possession, betrayal, and supernatural spookiness in Old Japan. Expect a dash of Lafcadio Hearn, a hint of Akutagawa, and a hefty dose of Kurosawa. What's not to love?




2. How does my work differ from others of its genre?

I don't know, for a rather obvious reason. To write in a genre, read outside the genre. (This is what Kacey means when she says that I drive her crazy with writing help.)
   If you've never had this advice handed to you before, here it is. On a plate. With yummy sprinkles. Get stuck in. Read outside your chosen area.

3. Why do I write what I write?

I must write. Writing is breathing for scribblers.

4. How does my writing process work?

I could stop to analyse that. Hmm. I'm sure the process would fall apart if I tried to dissect it. However, as you are here looking for substance...
   Come up with an idea. Write it down. Worry about fixing things later. Right now, let the words flow like molten lava. There's a time for editing. A special time. Called LATER. That's a technical term. Remember it.
   Editing? Look for typos, formatting glitches, gremlins, continuity errors, and holes in the plot. Fix all that stuff. Don't rewrite your story. Trust to your gut. Stick with that instinct.
   Endless rewriting leads to endless rewriting. Skip that madness. Develop the ability to cut loose of your story. Wave it goodbye. Treat it like a cake in the oven. Cook it. Remove it from the oven. Slice and serve. Write another tale.

*

At this point, I'm supposed to hand the hopping blog over to some people. They were too busy to participate. But you can still visit places on the internet.
   Try here. E.B. Black. She just moved house, and is about to get married. Which is why she won't be answering the four questions above. E.B. BLACK.
   Or here. Chris McMullen. He's teaching physics as I speak. The founder of READ TUESDAY has been putting out valuable blogs on the writing game. CHRIS MCMULLEN.
   No blog for this next one. Instead, there's a video station, broadcasting to the world. Melissa C. Water is a mental health activist on YouTube. MELISSA C. WATER.

*

It remains only to invite writers reading this to mention Kacey Vanderkarr and drop links back the way, if you feel like answering those four questions. Here they are again, for ease of copying and pasting...

1. What am I working on?

2. How does my work differ from others of its genre?

3. Why do I write what I write?

4. How does my writing process work?