REPORT FROM A FUGITIVE.: INSANITY

Showing posts with label INSANITY. Show all posts

Sunday, 8 September 2013

INSANITY.

Time has gone by so quickly. I'm meant to have another story out after plugging all products. We'll see. Buying a new computer and having the internet installed - those things slowed me.
On the positive side, I found publishing easier with direct internet access. So I published everything again, removing arcane formatting issues. (Mostly related to blurb.)
Here's a plug for INSANITY. That leaves a plug for MIRA E. next week and maybe something new out there the week after.

“Get out of hand, and we cut the air. Try to entangle your neck in the cord, and we cut the air. Attempt to smash the glass – impossibility – and we cut the air. Try to force the hatch open – impossibility – and we cut the air. You’ll be knocked out and removed for evaluation once in a little while. Try not to lie your way out of therapy. This is for your own good and the safety of others. If you vomit, we’ll flush you out and suck the debris away. So that’s no avenue for an escape-attempt. Thumbs are twitching. Slide her in, Burt. Don’t want her beating you up. That would be an embarrassment.”

Dark hair wafted in the underwater equivalent of a breeze. The current. Caused by? Machines keeping the water fresh, he supposed. She twirled and moved, sleeping, nearer the glass. Dark hair swept back from her face. He kept expecting her eyes to pop open, but those stayed shut.

“They begged her to stop digging. The aliens. Her shift-mates were murdering the baby aliens, and a whole species was at risk.”

“She ever show an interest in ecology before that?”

“No. The workforce doesn’t have to be dolphin-friendly up here.”

Left floating in the psych-tank, her life is over. Declared violently insane, she can do little but widen her eyes in response to her surroundings. She wants out. Escaping from the tank is the start of an impossible journey. Do it. Emerge from the tank.

All you need do then is escape from the asylum. Reach the train. Take that to the main hub. A journey of an hour. Transfer, undetected, to the train through the accommodation blocks. Head for the space shuttle landing area. Another train journey of an hour. Hang around for the monthly shuttle. Board.

Travel from moon to planet. Three days. Remain undetected in all that time.

Piece of cake. Except for that tricky part about killing Dr Bell and everyone on Dr Bell’s side.

46,000 words, plus notes.

Saturday, 7 September 2013

SELF-PUBLISHING ON AMAZON KINDLE.

Every time I publish my work on the Amazon site, I receive an e-mail telling me I've done so. Those publication messages go into a folder marked Amazon KDP, dated by year.
   Today, updating three files, I decided to see how many times I published this year. So I checked the e-mail folder.
   More than 50 times.
   How many products do I have out there on Amazon right now?
   Nine.
   What's with all the publishing, then? Am I doing something wrong? No. I'm doing something right. Looking at the work. Deciding on changes.
   Recently, I saw that I could add italic or bold text to my Amazon product descriptions. I blogged about that. CLICK HERE.
   All I had to do was add some code and ignore a big red warning not to use that code.
   With nine products out, I tested the water a few times. Satisfied, I updated all nine items. As I type this, Amazon doesn't have a separate method of updating or revising blurb. You have to publish the whole book just to update or correct blurb.
   To update descriptions for nine products, I published a dozen times. Within the past week, I decided copyright information should be uniform across the stories. Was it, though?
   I thought yes, and then I thought better.
   Checking, I saw that there were tiny differences drifting into each book as I published. So I made the effort to bring in more consistency. This didn't alter any of the books - the plots remained the same.
   I merely made sure the copyright sections were uniform. In doing that, I tidied a few invisible inconsistencies. These are things readers can't see. Behind the curtain, I see those things in a Word file. Readers are looking at the Kindle file. Difference.

The one-line gap I just introduced - that can be rendered at least two ways in a Word file. Transformed to Kindle format, there are pros and cons to the use of each method.

To avoid formatting glitches, I made sure all my copyright sections fell into line. Once I removed inconsistency, I published nine times.
Today, I made this change to a book...

Inside Amazon's book factory, I previewed all my published books as a matter of routine. Doesn't matter that I'd previewed them before. I previewed again. The previewer was updated, and set to Kindle Fire...

   I saw a flare of blue along the left side of the image above. Thinking I'd missed something in creating the graphic, I went to the original image and cropped the left side.
   Preparing the book for publication, I found cropping the image made no difference once previewed. I didn't have an elegant solution. Back to the digital drawing-board I went. I decided to enlarge the white border around the image, to see if the same blue problem flared up.
   The last time I used the software, I'd selected black. When the border grew, it automatically filled in black. The question arose. Will I still see blue flaring away now that there's a solid border? Only one way to find out.
   I dropped the image into the story, created the Kindle file, and previewed the whole thing inside Amazon's book factory. Now I had my elegant solution. There was no blue flare.

   INSANITY was new to the Kindle this year. Did I publish and let the story go? Yes. Did I publish again? Yes. I spotted the tiniest glitch in the cover. Fixed that. I altered the story's blurb. Brought the copyright notice into line with all the other products. And I added the black border shown in the map above.
   How much of this would a reader notice? Change to the cover? No. Slight alteration in copyright layout? No. Difference to the book's blurb? Yes. Black border added to the map image? Yes.
   If you are self-publishing on Amazon, or anywhere, don't just be a writer. Look at your work, periodically, as a publisher.
   In 2012, I had fifteen e-mails from Amazon telling me I'd published.
   My first year as a self-publisher started in December 2011. One product. Deadline? The 12th of December. I published that day. And the next. The product description came out screwy - something you can only see when the book goes live.
   I've asked Amazon to introduce a previewer for product description. If you plan to self-publish, or have self-published through Amazon, ask them too. Once enough writers ask, Amazon will take action. I don't mind the cycle-time for putting a book through the Amazon's system - but I do mind the cycle-time being the same for altering blurb.
   Before the year ended, I published a third time. Product description again.
   So. Planning on self-publishing? Publish. Check the work. Publish again. Update that blurb. Create consistency across volumes, as a publisher must. Nail those awkward invisible formatting glitches. You know they'll only cause trouble later. Examine the covers. Consider your options.
   Publish more than once - you aren't doing anything wrong. (I must leave aside the topic of altering the story once published. That's not for me. Write the story. Cut loose of it. Deal with production issues, yes. But don't rewrite your plots under the same titles and covers.)
   I'm waiting on two e-mails telling me another two books are live with the latest alterations. Final point? Once you publish, your work should cycle through within four to five hours. Chances are, you'll see your work on Amazon long before the congratulatory e-mail reaches you.

Update. INSANITY no longer has that map inside the book. I lowered the book's data cost by hyperlinking to a dedicated map page here on this blog.

Monday, 10 June 2013

INSANITY.

Here’s another plug. I’m publishing a story, at last. INSANITY, in my FICTION FACTORY line, is available on Amazon Kindle.

She’s trapped in the asylum. No way in hell to escape – for the asylum sits on the edge of a lunar mining colony. Home is a long way off. Now, some blurb…